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Fall issue -- "A Mosaic of Voices" -- now available
September 12, 2013
The Fall issue of the Bellevue Literary Review is now available. You can order a copy (or start your subscription!) now.
Editor-in-Chief Danielle Ofri's foreword notes:
This issue of the Bellevue Literary Review is subtitled “A Mosaic of Voices” and focuses on how culture intersects with health, illness, and healing. The diversity of manuscript submissions we received was staggering and it was both a delight and a challenge to winnow the pile down to what could fit between these two covers.
One of the most intriguing, and often the most honest, perspectives on culture is the child’s point of view. The seven-year-old narrator of Pria Anand’s story “Commotio Cordis” navigates Carnivale, her first bicycle, monsoon season, and her mother’s deafness with both innocence and incisiveness. In “Sirens,” a story by Joshunda Sanders, middle-schooler Tasha craves rescue from her landlocked culture of family dysfunction and poverty.
Sonia Sarkar describes in her poem “The Rice-Eating Ceremony” how chubby baby fingers were guided to choose a destiny : “Nine months into my life, I am asked to eat on command/ These tiny bursts of cylindrical snow that will reappear/ Again and again…”
In the essay “Family Portrait, Guam, 1979,” Katherine Lien Chariott matches childhood to present. “You are not that man in those sunglasses…wearing those flared maroon slacks,” she says to her father in the photo. “Instead, you are…the smells, the colors, the emotions that overwhelm me from out of nowhere.”
Sometimes cultures jostle each other, in love and in illness, as happens between a Malay crooner and the Chinese daughter of a Singaporean pub owner in Amanda Lee Koe’s story “Flamingo Valley.” The Indian protagonist of Prasad Bodas’s story, “Mr. Abhyankar Learns to Drop Bombs,” is bewildered by the black moods of his Americanized teenaged son.
Then there are the subcultures within American culture. Bored suburban Coloradans rub elbows in David Milofsky’s story “Passion Parties.” Overly cultured but ultimately unmoored foreign-service families maintain protocol in Susan Land’s story “Diplomacy.” Denizens of the psychiatric emergency room recite their reasons for being there in Jacob L. Freedman’s poem “Intake.”
We leave the last word on this topic to poet Hal Sirowitz—a veteran of many BLR readings. “I don’t know how you can sit there and accuse me with a straight face of not being multicultural, mother said. Haven’t I taken you to Chinese restaurants…?”